104: GUSTAV STICKLEY, Hall seat, model 224 < Early 20th Century Design, 1 October 2024 < Auctions

Early 20th Century Design

1 October 2024

Early 20th Century Design

104

Gustav Stickley
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Hall seat, model 224

USA, c. 1912
oak, steel 41¾ h × 47¾ w × 22 d in (106 × 121 × 56 cm)

estimate: $5,000–7,000

result: $6,930

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This desirable form features cut-outs to the solid wood side panels and a lift-up seat concealing storage. Paper manufacturer's label to interior 'Craftsman Als ik kan Made by Gustav Stickley in the Craftsman Workshops Eastwood New York'.
literature: Catalogue of Craftsman Furniture, manufacturer's catalog, pg. 82

This work will ship from Chicago, Illinois.

The quiet rhythmic monotone of the wall of logs fills one with the rustic peace of a secluded nook in the woods.

Gustav Stickley

Gustav Stickley 1858–1942

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Gustav Stickley, whose name is synonymous with Craftsman furniture, was a visionary American proponent for the Arts and Crafts philosophy in design, literature, and life. At the peak of his career, his furniture was sold throughout the country, Craftsman houses built in many areas, and The Craftsman magazine widely read. After bankruptcy in 1915, Stickley was largely forgotten until the 1970s, when his importance as a designer was rediscovered by a new generation.

The eldest son of first generation German immigrants, Stickley was born into a family that owned furniture-manufacturing businesses. He found inspiration in the writings of John Ruskin and William Morris and the well-built, hand-crafted furniture and the brotherhood of honest labor they espoused. In 1898 he established the Gustav Stickley Company in Eastwood, a suburb of Syracuse, New York. He adopted a William Morris motto, "Als ik kan" ("If I can") and used the symbol of a medieval joiner’s compass as his trademark.

Stickley’s furniture was a radical departure from the American furniture of the Victorian era. Surfaces were unadorned, mortise and tenon joinery and wood grain exposed. The hammered metal hardware underscored the artisanal look of furniture, which was fabricated both by hand and by contemporary woodworking machines.

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